I vividly remember attending a millennium party on December 31, 1999. I imagined that by 2019 we would have set foot on Mars. I envisioned a better world, where the internet prevented regimes and the forces at play from dominating the world. I am not one given to conspiracy theories, yet Wikileaks proved many such theories to be in fact correct. For a few years the Wild Wild Web  liberated the masses. Today we see this short lived return to the free spirited 1970’s coming to its end. Governments have cracked down on the internet and turned it into a powerfull weapon of mass manipulation. While the world went its own way, the philosopher in me decided to carry on the quest of Dutch operas. From the first 401Concerts in April 2015 until the end of 2019, I organized no less than 23 Dutch opera concerts. Among them an entire Jan Brandts Buys Festival (2018), and a very well reviewed concert on Dutch 18th Century operas in Diligentia The Hague. We published no less than 4 CD’s with our own Dutch opera recordings.  The handbook I envisioned in 2008 grew into an adventurous five volumes on Dutch opera.

2019 | The auction

These concerts, the research for and writing of the handbook (still in progress) took the larger part of my time from 2016-2020. I did contiinue to publish in Villa d’Arte, Luister and also Pianist. In addition I produced a number of websites. Last but not least I coordinated an auction of Romanian art in Bucharest which reaped a stunning 225.000 euros for the owner of the art, Anthony van der Heyden, then the president of my 401Dutchoperas foundation.

It was early in 2018 that Anthony wanted to auction his large Romanian art collection, collected during his tenure as CEO of the ING and Tiriac bank there in the 1990’s. There was of course only 1 place where such an auction could be succesful: Bucharest. Essentially, Bucharest had a number of interesting galleries and 1 auction house, ArtMark. By september 2018, with the paintings already in Bucharest, I started coordinating the auction with ArtMark and designed a publicity plan that focussed Anthony’s status as founder of the international banking scene there. His affinity with the country was well known, as was my own. We knew each other from the Darclée Festival in Braila, 2000. The press campaign proved very succesful. At the evening of the auction, the bidding zone was filled tot he last chair. All telephones were manned and the results went through the roof. An amazing experience.

2020 | 401Concerts GOES ‘Viral’

The year 2020 should have seen the major break-through for the 401DutchOeras project. The handbook volume I (period 1594-1814) was completed. In March we had promising meetings with the publisher of our choice. In April we had a major concert programmed, that zoomed in on all material from that first volume that did not exist in any recordings and that in fact had not been performed since the 17th Century. In addition we had the June World Premiere of a unknown Beethoven opera. Both performances had to be canceled due to the Corona crisis. The Beethoven premiere was postponed to 2021, the April concert ‘DutchOperas from Vondel 1685 to the French Occuption 1812’ was rescheduled to August 2.

The try-out concert on June 28 2020 was very promising. On July 4 I hosted the popular AVRO/TROS classical music program ‘Goodmorning with….’ on the national Dutch classical music radio NPO-4. I was given a royal two hours in which I could finally tell my story and revive the lost world of Dutch opera in 15 stunning highlights. The other five were reserved to my beginnings in music and my books on Franco Corelli, Jacques Brel and the still unpublished Hariclea Darclée biography. Thus we went from ‘virus’ to ‘viral’, with n audience of over 40.000 radio enthusiasts.

2021 | DarClée at last

Since 2015 there have been various plans to publish the Harclea Darclée biography. All of them failed fort he same financial reasons. Today however, the huge start-up costs for high end books such as the lavischly designed Darclée book no longer exist. One can now make the kind of luxury hardover product that I have specialized in, for a fraction of the costs needed fort his a mere six years ago. To make a limited edition, we need about € 2.500. Hopefully we can find this money and have the book printed in 2021, with distribution though magazines specialized in historical singers such as The Record Collector and websites such as Norpete and our own Darclée.com and 401Sales websites.

2021 | The 401DutchOperas handbook vol I

2012 Should also mark the publishing of the 401DutchOperas handbook. This is much less a niche book than the Darclée abour of love. Dutch operas are key to our musical heritage, much more so than all the music we do know of this histry today. The book and our concerts and recordings will prove to be both eye-openers that will succeed in bringing a change of heart among the audiences. That will at least change the awareness of our musical heritage. Which is not the same as having the illusion that theatre directors will change their attitude. Of course they won’t. Yes, I have now proven them wrong: Dutch opera is immensely popular. All productions since 2007 were sold out. But it is still far more expensive to produce and promote an unknown Dutch opera than to repeat Carmen and co. There you have the true reason why these works aren’t performed.

2021 | Vestas Feuer

The premiere of our reconstruction of Beethoven’s unknown opera torso Vestas Feur, on a libretto by Emanuel Schikaneder, the librettist of Die Zauberflöte, transferred from June 2020 to June 2021. The premiere is still within the Beethoven Festival Zutphen. But what is Beethoven doing in a 40DutchOperas handbook? Well, legend has it that Beethoven was born in Zutphen rather than in Bonn. My book brings proof for one of those theories. More important is that in the process, I discovered the mentioned Vestas Feuer torso. Beethoven completed a draft score of the first scene and left numerous sketches for the remainder of the opera. These sketches have hitherto never been touched. I joined forces with Dutch composer and Beethoven specialist Cees Nieuwenhuizen, who created a new, authentic 401DutchOperas performance edition of the first scene. When I found back the complete libretto for Vestas Feuer, the sketches fell into place and Nieuwenhuizen reconstructed some completely new aria’s from them, which constitute the last Beethoven opera world premieres in history, since there are no more sketches. Ideally, the Vestas Feuer premiere would coincide with the publication of the book.

The impossible dream…

What about that child that lost his heart over playing skipping rope during school breaks? Well, that guy is still the same within, he never left, he never changed. For better or worse, he experimented in life, and from time to time he found enough

happiness to continue his quest for the unknown, the untouched, and the unanswered question. I thank the loves of my life for having loved me back at one point in the adventure till so far. Who knows what is to come

To dream the impossible dream
To fight the unbeatable foe
To bear with unbearable sorrow
To run where the brave dare not go
To right the unrightable wrong
To love pure and chaste from afar
To try when your arms are too weary
To reach the unreachable star This is my quest
To follow that star
No matter how hopeless
No matter how far To fight for the right
Without question or pause
To be willing to march into Hell
For a heavenly cause And I know if I’ll only be true
To this glorious quest
That my heart will lie peaceful and calm
When I’m laid to my rest And the world will be better for this
That one man, scorned and covered with scars
Still strove with his last ounce of courage
To reach the unreachable star
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